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Generalizations and stereotypes of African Americans and their culture have evolved within American society dating back to the colonial years of settlement. African Americans today continue to struggle with negative stereotypes. These stereotypes are diversified, widespread and of long standing. A comprehensive examination of the restrictions imposed upon African Americans in the United States through culture is examined by art historian Guy C. From the colonial era through the American Revolution, ideas about African Americans were variously used in propaganda either for or against the issue of slavery. Paintings like John Singleton Copley 's Watson and the Shark and Samuel Jennings ' Liberty Displaying the Arts and Sciences are early examples of the debate under way at that time as to the role of black people in America. Watson represents an historical event, while Liberty is indicative of abolitionist sentiments expressed in Philadelphia's post-revolutionary intellectual community. Nevertheless, Jennings' painting represents African Americans in a stereotypical role as passive, submissive beneficiaries of not only slavery's abolition, but also knowledge, which liberty had graciously bestowed upon them. As another stereotypical caricature "performed by white men disguised in facial paint, minstrelsy relegated black people to sharply defined dehumanizing roles. Rice and Daniel Emmet , the label of "blacks as buffoons" was created.